The Buffalo Hunter Hunter
An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
1145803518
The Buffalo Hunter Hunter
An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
26.99 In Stock
The Buffalo Hunter Hunter

The Buffalo Hunter Hunter

by Stephen Graham Jones

Narrated by Shane Ghostkeeper, Marin Ireland, Owen Teale

Unabridged — 15 hours, 29 minutes

The Buffalo Hunter Hunter

The Buffalo Hunter Hunter

by Stephen Graham Jones

Narrated by Shane Ghostkeeper, Marin Ireland, Owen Teale

Unabridged — 15 hours, 29 minutes

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Overview

Notes From Your Bookseller

The bestselling author of The Only Good Indians and I Was a Teenage Slasher returns with a chilling tale of blood, buffalo and revenge. Based on gruesome true events, Jones blends history and horror in a haunting story of vengeance and survival.

An instant New York Times bestseller, a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Editorial Reviews

Publishers Weekly

★ 02/10/2025

Bestseller Jones (I Was a Teenage Slasher) astonishes in this ingenious, weird western reimagining of the vampire tale. In a frame narrative set in 2012, academic Etsy Beaucarne learns of the discovery of a 1912 manuscript hidden in the wall of a Montana parsonage, written by her great-great-great-grandfather Arthur. Within lies Arthur’s transcription of the personal history told to him during confession by Good Stab, a Blackfeet warrior. Decades earlier, Good Stab was bitten by a being he refers to as “the Cat Man,” a caged, feral creature transported by an ill-fated expedition of white settlers. That bite endows Good Stab with supernatural powers of healing and regeneration, but also a voracious thirst for blood, which he slakes by preying on the white hunters ravaging the frontier through their profligate slaughter of buffalo herds. Good Stab’s horrifying ordeal offers a dark window into the history of conflict between America’s Indigenous inhabitants and its white colonizers, with Jones incorporating details of the real-life Marias Massacre of Blackfeet by the U.S. Army into the plot. Jones heightens the impact of the massacre’s recounting through Good Stab’s narrative voice, whose easy incorporation of lore and myth into his vernacular makes the supernatural seem believable. It’s a remarkably well-wrought work of historical horror that will captivate Jones’s fans and newcomers alike. (Mar.)

From the Publisher

Praise for The Buffalo Hunter Hunter

"For me and vampires, there is Stoker, there is Rice, and now there is Jones. It's harrowing, agonizing, nuanced, and downright philosophical. Very likely Jones's masterpiece." —Daniel Kraus, New York Times bestselling author of Whalefall

"Stephen Graham Jones tears into the flesh of vampire lore, transforming it into something raw and feral. Jones crafts a stark, unnervingly poetic narrative. This is vampire horror reimagined in the sharp glare of a history America cannot escape." —Shane Hawk, co-editor of Never Whistle At Night

Stephen Graham Jones has lit a slow-burning candle that grows into a forest fire, illuminating the life of a Pikuni vampire and everyone he has touched, the pain of being a victim and perpetrator of violent history, and how memory serves to keep us who we are despite it all. The Buffalo Hunter Hunter is beautiful, terrifying, sad, funny, and grotesque — everything I want in a novel.” Jessica Johns, author of Bad Cree

“A master at blending horror, suspense, and culturally rich stories that are as thought-provoking as they are spine-tingling. Jones’s singular voice and exploration of identity, of trauma and survival, make every page pulse with kinetic urgency.”David Robertson, author of The Theory of Crows

*"A riveting story of heartbreak, death, and revenge, this remarkable work of American fiction, a thought-provoking tale filled with existential terror, unease, and a high body count, transforms, in Jones’ deft hands, from the unapologetic horror novel it most certainly is into a critique of the entire idea of the United States—a critique that, despite the horrors, both real and supernatural, is forcefully infused with both heart and hope." —Booklist, starred review

*"It’s as much an autopsy of institutionalized treachery as a demonization of its tragic and terrifying 'villain.' A weirdly satisfying and bloody reckoning with some of America’s most shameful history." —Kirkus, starred review

*"A remarkably well-wrought work of historical horror that will captivate Jones’s fans and newcomers alike." —Publisher's Weekly, starred review

*"While this is a unique vampire story, it is also grief horror, portraying the mourning of a land and a people, inscribing profound sorrow for what was and what can never be again." —Library Journal, starred review

"“(A) gruesome joyride of a novel.” —The New York Times

"The Buffalo Hunter Hunter is Stephen Graham Jones' horror masterpiece. The prose is gorgeous and the plot is complex. The author of The Only Good Indians returns again with a spellbinding yarn about one of the bloodiest, most significant parts of the nation's history.” —NPR

"Inventive and spine-tingling, The Buffalo Hunter Hunter is the best book I’ve read in ages. It’s a master class in voice... Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite." —The Washington Post

"
Jones has written his Interview With the Indigenous Vampire...A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick." —Vulture

Library Journal

★ 02/01/2025

Etsy Beaucarne is a professor under pressure to publish more, thereby securing tenure. When a dayworker finds a 1912 manuscript written by Arthur Beaucarne, an unknown relative, she may have found a way. Arthur's journal tells of his life as a pastor while transcribing the account of Good Stab, a man from the Blackfoot Nation who says he is a vampire. These three distinct narrative voices are layered within the novel, and each voice contributes to a compelling story that draws readers forward, even as the terror increases. The horrors of historical atrocities are described while also bringing readers along in a deep exploration of identity, revenge, guilt, and the potential for hope. While this is a unique vampire story, it is also grief horror, portraying the mourning of a land and a people, inscribing profound sorrow for what was and what can never be again. VERDICT Jones (I Was A Teenage Slasher) holds up past atrocities and their impact into the future. Highly recommended for those who enjoy historical horror with family history, such as Andy Davidson's The Hollow Kind, or for those who loved the anthology Never Whistle at Night.—Lila Denning

MARCH 2025 - AudioFile

Listeners don't just experience a fascinating historical drama--they also become steeped in a bloody gothic Western. Stellar performances are the center of this compelling listening experience. Narrator Marin Ireland fully embodies the beleaguered humanities professor who, while deep diving into the campus archive, discovers the story of her ancestors. At the same time, she is struggling with her tenure committee. In a deft transition back to 1912, Owen Teale's performance of a Lutheran pastor exhibits gravitas as he slowly unwinds the secrets of his relationship with Good Stab, a Blackfeet Indian who mysteriously appears in his congregation. Shane Ghostkeeper provides Good Stab with a subtle yet ferocious performance as the two face each other's buried truths. Complete with creative production touches, the result is a dark, satisfying listen. S.P.C. Winner of AudioFile Earphones Award © AudioFile 2025, Portland, Maine

Kirkus Reviews

★ 2025-02-15
A professor unravels a mystery from the darkest depths of the Wild West.

Salvation comes in strange and uncomfortable ways in this ambitious, century-spanning American gothic by Jones, drawing hard from this country’s deep well of trespasses against its Indigenous people. When 42-year-old junior professor Etsy Beaucarne is bequeathed a newly discovered, century-old diary composed by her great-great-great-grandfather Arthur Beaucarne, she thinks the Lutheran minister’s vivid tales about the frontier might finally earn her tenure at the University of Wyoming. As the framing device unfolds, we’re treated to two new narratives, the first being Arthur’s story of his ministry to a troubled Blackfeet Indian named Good Stab and the second being Good Stab’s own record of his long, strange life. “What I am is the Indian who can’t die,” he confesses. “I’m the worst dream America ever had.” Why it’s been such a long and memorable life quickly becomes apparent along with the Blackfeet’s extended teeth and thirst for blood. While a vampire Western could easily have become a farce, Jones crafts it into a rich tapestry that winds around questions of identity, heritage, and historical truth, all pivoting on a real historical atrocity, the Marias Massacre, where almost 200 Native people were murdered by the U.S. Army in January 1870. Jones never takes it easy on the reader but the trust he earns is rewarded in the end. Both Arthur’s and Good Stab’s accounts are authentically painted from their very disparate lives and cultures, so the shift can sometimes be jarring. It’s also a surprisingly slow burn for a tale with a truly visceral amount of carnage. Nevertheless, by the time the book winds back around, it’s as much an autopsy of institutionalized treachery as a demonization of its tragic and terrifying “villain.”

A weirdly satisfying and bloody reckoning with some of America’s most shameful history.

Product Details

BN ID: 2940191178707
Publisher: Simon & Schuster
Publication date: 03/18/2025
Edition description: Unabridged

Read an Excerpt

1. 16 July 2012


A dayworker reaches into the wall of the parsonage his crew’s revamping and pulls a piece of history up, the edges of its pages crumbling under the fingers of his glove, and I have to think that, if his supervisor isn’t walking by at just that moment, then this construction grunt stuffs that journal from a century ago into his tool belt to pawn, or trade for beer, and the world never knows about it.

If this works out, though, then I owe that dayworker my career.

In January, I wasn’t exactly denied tenure, but I was told that, instead of continuing with my application, I consider asking for the extension I’m currently on. The issue wasn’t my teaching—I’m the dayworker of Communication and Journalism, covering all the 1000- and 2000-level courses—it was that my publications aren’t up to University of Wyoming “standards for promotion.” See: get a book under contract, Etsy, and then we’ll talk.

And, if you don’t? Then all your schooling, all your dreams of being a professor, they’re smoke, and you’re out in the cold.

Until that random dayworker reached into that wall. Until what he found wrapped in mouse-chewed buckskin wound up in the hands of Special Collections librarian Lydia Ackerman of Montana State up in Bozeman, and she was able to read the scripty hand enough to glean a name from the very front page: “Arthur Beaucarne.”

It’s not far from there to me, that surname not exactly being common.

And, because technically that journal belongs to me—well, my father then me, but my father in his facility down in Denver’s not exactly compos mentis—Lydia Ackerman’s been sending me the digitized pages as they’re processed, the original being a century too delicate to handle. But I don’t think she does it out of kindness. It’s to keep me from showing up unannounced again.

“Etsy?” she asked when I did show up like that in May, breathing hard from the stairs. She was looking from my ID to me, to see which was the typo. It’s Betsy, really, I didn’t say, but a boy with a speech impediment in kindergarten... who cares?

“The last name,” I told her, as politely as I could.

So, I was led back to the workbench they conserve delicate literary artifacts on, was made to mask up, glove up, bootie up, and then sit like that through a lecture about the lignin content of old paper and the homemade inks of the late nineteenth century, and how this particular ink had aged into acid that was eating away the brittle old paper it was written on, meaning the individual letters collapse into hopeless crumbles from just the slightest breath—thus the case the journal’s enclosed in. It’s for humidity and temperature, Lydia Ackerman explained like giving a tour to second-graders, but mostly it’s to keep any breeze from punching those black letters from the pages, effectively erasing this amazing find from history.

“It’s also for dust,” Lydia Ackerman leaned forward to say in some sort of confidence, like “dust” was a profanity in this particular room. “Even dust weighs enough to make the letters fall through the paper.” To be sure I got how dire this all was, she heated her eyes up and raised her eyebrows.

“I’ll be careful,” I assured her, at which point she unlatched the glass case, both of us holding our breath behind our masks, I’m pretty sure, and, finally, I got to look directly at my great-great-great-grandfather’s journal.

The workroom we were in smelled like my dad’s chemistry lab on campus, sending me back to being ten years old, when I’d yet to betray him by choosing the humanities over hard science.

Sorry, Dad. Again.

I turned my back on chemistry, became an alchemist, yes, mixing facts with rhetoric and spin and encomium, all in hopes this or that speech will catalyze an audience, hopefully in what feels like a heartfelt way. Such is communication, which I long to enter into again with you someday, Dad—hopefully soon. I do get the reports from your medical team, after all.

But, as my great-great-great-grandfather says in his journal—okay, my greatest-grandfather—that’s neither here nor there.

And, yes, okay, I’ll admit it here in the privacy of this laptop: since I didn’t inherit “science” from my dad, I’m here choosing to inherit journal-keeping from someone much deeper in my bloodline. Well, either “inherit” or “resuscitate”—I haven’t kept my precious thoughts in a secret notebook since junior high, thought I’d outgrown that kind of stuff. Surprise, I guess? I’m still that awkward girl in seventh grade, except now the enemies I’m putting on my hate list are from my tenure committee.

But, Great-Great-Great-Grandfather, I know I’m nowhere near as practiced as you, with organizing my daily thoughts and recollections on the page. You were educated in the nineteenth century, when recitation was the order of the day. You could recite long poems and speeches, and I, who teach speech-writing, can barely remember a phone number.

Where we’re also different: you were a pastor, and—this I did inherit from my dad—I’m more of a professional doubter.

I’ve worked my way through the first few days of your journal, though, and I’m coming to understand why Bozeman wants to pay to keep your writing in their collection. You were good, Arthur Beaucarne. You used my rhetoric and spin and encomium to come off sounding heartfelt, never mind the actual facts, but you had a documentarian’s eye, too, didn’t you? And a playwright’s ear. You didn’t have a camera, but you had a pen, and its nib was sharp enough to cut right to the center of the day, the year, the era.

You make your case better than I can, though. I’ll paste in a news item from 1912, the year you disappeared from your church, and then showcase your more fleshed-out version:

“Is it happening again?” This is the question former cavalryman and current postal clerk Livinius Clarkson was said to be asking his patrons for the better part of Monday.

What L. Clarkson is talking about is the deceased individual found off the beaten path yesterday, out in the open prairie across the Yellowstone River, in the environs of Sunday Creek. Initial speculation was that this was some unfortunate who perished over the last winter, who was only just now thawing out due to last week’s abundance of sunlight. This would explain the state of this person’s remains. However, knowledgeable men involved with transporting the body into town assure the Star that this isn’t frost burn or scavenging. They also assure the Star that while ice, when affixed to skin, can possibly remove it, this would seem to be something more pernicious and intentional.

This is cause for concern.

Are the Indians turning hostile again? If so, which ones? The Crow, the Nakota, the Ree? More farflung tribes like the Blackfeet, Gros Ventre, Snake? And, if this is a holdover from the depredations of older times, then what might be the cause of their ire this time? Does our government not provide them with beef rations, and land that they leave fallow and untended, not interested in working it as God intends?

When pressed on the matter, L. Clarkson, himself no supporter of the Indian, averred that what he was concerned about instead was similarity to a rash of grisly discoveries he claims went on nearly four decades ago, in Montana’s more lawless times.

As for that supposed rash of mutilations, the Star talked to an unnamed source in the later years of his long and storied life. Once a miner, among other and sundry occupations, this source remembers this country when it was “young and open.” Scoffing at L. Clarkson’s sensational claims, this former ore-worker, treasure hunter, stagecoach driver and occasional cowpoke, who was young when the so-called “mountain men” were in their dotage, remembers that as the great buffalo herds were collapsing some 40 years ago, there were motherless calves left bawling out in the night, until finally the men of “Milestown” as he still insists upon calling Miles City, went out and dispatched them in a single night, leaving the humps skinned as a warning to any more disturbers of the night’s peace. Apparently they drew all the calves together by draping a buffalo robe over a large bull borrowed from a certain rancher, also nameless.

The hides they salvaged from these calves, being too small for a robe and too golden for the milliner, were initially stored on a pallet in a shed behind the old livery, until they got too scabby to work soft. At which point they were fed to hogs. This recollector of former times assures the Star that this spectacle is what L. Clarkson is inaccurately recalling, as a buffalo calf weighs about the same as a grown man, and, dead in the grass in the state they were both left, it would be easy to mistake one for the other.

Of note is that the two dogs that accompanied the party to collect this dead individual both expired overnight, each of them chewing at the skin of their own bellies. But of course there is no shortage of dogs here in Miles City.

The identity of the deceased individual is as of this date unknown, save that he was male, and possibly a traveler, as his unmarred face isn’t known around these parts.

The service for him will be private.

That’s the just-the-facts version from the Miles City Star, dated March 26, 1912—microfiche, yes. Now, here’s what my greatest-grandfather wrote into his journal the evening before:

Yesterday evening, word started to percolate around town concerning a man found dead out in the sea of grass that surrounds us. Martha Grandlin, Skeet Grandlin’s second wife (his first, deceased) was the first bearer of this savory tidbit, being certain to contort her face in cultured disgust, and to not give the secondhand account her full voice, I presume either to keep it from being a real occurrence, or to keep from exposing herself as one who thrills in carrying such morbid news around town. Martha, kind soul that she tries to be, was bringing by half a loaf of German bread and some jam she claimed were spare, and clutching the week’s mail to her side in case one of Skeet’s many and farflung correspondences should blow away into those same grasslands.

According to Mrs. Grandlin, who held the tips of the fingers of her right hand to the hollow of her throat while pronouncing this, this poor man had had, there’s no other way to say it, his skin removed “as if he were an animal!”

I ate the bread and jam in silence after Mrs. Grandlin’s hasty departure, and considered whether a man liberated of his skin and left out in the grass was something that could still happen in this new century. Weren’t such things supposed to be part of this new state’s sordid past? And what would motivate someone to such an act? What could someone do to have such an act visited upon them?

The jam was huckleberry, with large chunks still remaining in it, and I found that if I had the patience to leave it on the bread for a few minutes, the juice from the jam would soak in and soften it, with the result being almost in the cobbler family, though I could hold it in my fingers if I was careful, the crust being stiff from yesterday’s oven. I had told myself when Mrs. Grandlin handed this treat to me that I would make it last the week, that it could be the prize at the end of my duties, but once I figured out the proper soaking time, I greedily consumed all of it in a single, shameful go. God was watching, as he watches all, but assuredly he would allow a broken old man this simple indulgence, would he not?

And thank you, Mrs. Grandlin. This midafternoon delight was unexpected. As, of course, was the terrible news. This is Montana, though, I told myself. It’s where things like this happen, isn’t it? Or, as some of my parishioners might joke, “It’s where things like this happen, n’est-ce pas, Pastor Beaucarne?”

In spite of my protestations about any immediate French ancestry, still these Prairie Deutsche like to poke and prod, which is why I write this in King George’s English, not the German I deliver my sermons in, as curious eyes could then read it. But of course my parishioners’ aspersions about their good pastor’s Gallic name is all in good fun, and if the victuals continue to flow, then this non-Frenchman can only be grateful.

As to who the unfortunate man found dead a few miles either north or west of town was or is, or will be upon identification, Mrs. Grandlin had not an inkling. Though the intensity with which she watched me while delivering this served as explanation why I had been her first stop. As the clergy parishioners come to me with their problems and struggles and concerns, it stood to reason that I might have heard news about a husband, brother, or son who had tragically gone missing.

I had no knowledge of any such missing husband, brother, or son, and surely my expression didn’t suggest otherwise, but, infected by Mrs. Grandlin’s curiosity, I told myself to pay special attention. At the same time, not everyone feared to be on a drinking binge is actually drunken. Not everyone supposed to have taken work that pulls them suddenly away from home is actually earning a wage.

Eager about this find out in the grasslands, if for no other reason than that it broke the tedium, I buttoned my greatcoat over the new and persistent huckleberry stain on the surplice I had thrown on when Mrs. Grandlin knocked——my only one!——and made my way out the side door and down to the lodging house porch, bringing with my personage, as it’s unavoidable not to do, a retinue of raucous dogs of every color, size, and temperament.

As I approached with them barking around my feet, announcing my arrival to the whole of Miles City, the whole of Montana, I took pains not to notice the shuffling and scraping that always precedes my arrival to such a low place. I would be similarly unaware of any bulges in the mens’ jackets that could or could not be bottles and spirits, and I held out hope that I wouldn’t have to draw close enough for their breath to scald my eyes.

“The limping reverend!” Willem Thomlinsen called out with all the joviality he could muster, referring to my gait, impeded as it is by the three toes on my left foot that predecease me. I would expect the same from a ten year old boy caught antagonizing the chickens. Thomlinsen calling me by that appellation——Reverend——was a long standing hallmark of our interactions, my silhouette evidently prompting whosoever I encountered in my doddering perambulations to make joke upon joke at my expense. Such is the price exacted by these black robes, I surmise. By this craggy, thin silhouette.

Though I would wish it otherwise, Thomlinsen’s was a joke that had over the previous year spread through his companions like grass fire, meaning I also had to endure as greetings from all these lodging house regulars a round of “Pastor” and “Preacher,” “Brother” and “Bishop,” and on into variations they had to mumble, as they had no real command of the terms, their childhoods spent in Quaker and Catholic pews so far behind them now as to be but fairy tales that happened to someone else.

“Father, Reverend,” Thomlinsen rounded it all up with, apparently having had more training than the rest.

The humor of the west knows no bounds, respects no boundaries.

Nevertheless, I demurred and endured, grinning a sheep’s grin at this camaraderie and acceptance, which is what I have to tell myself it is, every next time it’s happening again.

As to why I’d chosen to submit myself to this good willed badgering, it was that the porch of the lodging house was the catch basin for all news in and around Miles City. The gentlemen, or “denizens” if that’s the more telling description, of the long, swayed bench that I’ve been assured was salvaged from a previous, temporary incarnation of my esteemed church, were irreverent and oftentimes in one stage or another of intoxication, but resistance to observing the niceties of society meant that they functioned as guards at a post, such as it was, not letting anyone interesting pass unless and until they had shared the news of the day with them. In such a way are tolls exacted.

Knowing that any corpse found either north or west of town would come in past the lodging house, I knew then also that such a parade passing in front of the lodging house would have been subject to inspection and interrogation. It helped that Sall Bertram, the quiet Ulysses Grant of these regulars, had, until 1899, been sheriff of Custer County, and that the current sheriff had been his deputy, so was still beholden to his former superior officer. Which probably in no small way explains why the porch of the lodging house was outside the law, as it were.

But that’s neither here nor there, as I hear more and more of my parishioners saying of late——a verbal trend that worries me, as it sweeps things under the rug that should be dealt with in the light, rather than let fester. But this concern itself is neither here nor there, I suppose. Even a preacher pastor brother bishop father reverend of fighting age during the war between the states can join this bold new century, yes.

After describing for these regulars in great and delectable detail the bread and jam I had, tragically, consumed all of, I asked them about the poor man found dead and exsanguinated to the west of town, asking of myself meanwhile if I wasn’t, in my own way, just as bad as Mrs. Grandlin. But no, I told myself. As shepherd of a flock, I needed to be informed on all goings-on that might affect that flock. It wouldn’t do to look out over the Sunday morning crowd and have them whispering to each other about that of which I’m ignorant.

“The west?” California Jim spat in response, disgusted, answering the first of the two bluffs I’d built into my opening bid, for them to correct.

I’ve never inquired after the provenance of California Jim’s name, but assume it has to do either with one or another gold rush or with another of his many former occupations.

“Ex-what, Preacherman?” Sall Bertram mumbled, leaning ahead to spit between his boots into a crack in the porch nearly crusted shut, from all the days he spends there.

“He had been bled, had he not?” I said with all false innocence, looking from one to the other, which prompted them, in turn, to look to each other.

“Your Lutheran god whisper that to you?” Thomlinsen finally said, which struck me odd, as I’d only proffered the possibility of exsanguination so as to be a babe in the fold for them, plucking at rumor and smoke, meaning they could correct me with the actual facts and thereby become authorities.

Men on in their years, whose sole job is to occupy a bench, like to feel important, I know. It’s quite possible I suffer from a liturgical version of this myself.

“I suppose most of his blood did leak out when he were skinned like a hump,” Thomlinsen said for them all, glaring me down as if challenging one so pure of heart to picture something so revolting.

If only he knew.

The depravity of man’s heart knows no floor, and everyone in this hard country has a sordid chapter in the story of their life, that they’re trying either to atone for, or stay ahead of. It’s what binds us one to the other.

I wasn’t there to publicize my own moral failings, howsoever, but to further hone Mrs. Grandlin’s revelation. What I had so far, without asking directly, were “west” and “skinned”——and, now, possibly “exsanguinated,” though that could very well be my misreading.

“To what end do you skin a person?” I asked.

“I seen a man filled with so many Indian arrows in him that he looked like a pincushion in a sewing parlor,” Early Tate said, licking his cracked lips hungrily. “Sixty nine, it were.”

“James Quail?” Sall Bertram either said or asked, it was hard to distinguish.

“Down on the trail,” Early Tate answered with a shrug, yet holding my eyes, perhaps to see if I would challenge him on this.

The “trail” he spoke of was the deep ruts of the Oregon Trail, which he’d famously been a drover on in his twenties. In each retelling, his deeds and exploits become a little more grand, I should note.

I didn’t doubt this pincushion man, though, “James Quail” or no. In the late ’60s he spoke of, and into the bloody decade that followed, I had myself seen similar travesties, that still haunt me in my weaker moments, with only one candle remaining, the town around me long asleep. But you can build a wall around yourself with scripture and faith.

“Like a buffalo, you say?” I asked then, due to their use of the word “hump.”

This question prompted more looks between the regulars. Looks and the shuffling of feet, the rearranging of certain jugs and bottles in this or that jacket. Finally Sall Bertram out and said it, immune as he was to legal repercussions.

“His face was even painted,” he proclaimed, pulling his own fingers downward along his forehead and nose, down to his chin.

“Skinned and then painted?” I asked back, earnestly incredulous at this development.

“The skin on his face was still where it ought’ve been,” California Jim said, forgetting for a moment I was there and instinctively taking a long pull from the bottle nestled against his chest. “Apology, Father,” he added, wiping the back of his mouth with his sleeve.

“Forgiveness comes at a price, and none among us is immune to sin,” I returned back to him, shrugging my thin shoulders and holding his eyes steady in mine, such that more words would have communicated less.

The grin spread among the regulars until California Jim shook his head in mirth and extended the bottle to me. After ascertaining no Puritanical eyes were trained on us, I took the bottle, tipped it up, and let that familiar fire into my chest for the first time since donning these robes, and for a moment I was in my thirties again, and my forties, and the first part of my fifties, swimming in such a bottle as this, looking out at the world, distorted into abomination by the irregular glass, and my own failing eyes, and the syrupy quality of my thinking. And my guilt.

“Preacher!” Thomlinsen cheered, holding his own bottle up.

“Reverend!” Early Tate chimed in, grinning so wide I could see the dark blood between the cracks of his lips.

“Yellow and black,” the former sheriff of Custer County continued, such that I had to picture this “hump,” the skin pulled from his back and presumably his whole torso and possibly his legs and arms, his face painted half yellow, half black.

You can’t guess at what an Indian does, though, much less the why of it. Maybe Franz Boas can, but I’m no Boas. If anything, I’m more Boethius, trapped in my cell on these northwesterly plains, scribbling my earnest inquiries into this log, with hopes of finally arriving at some greater truth.

“Had a little dab of red in the middle!” Early Tate added with a satisfied chuckle, relaxing back into the pew, which creaked with the weight of his pronouncement.

When I looked my inquiry over to him, he waggled his blunt, somewhat red tongue, prompting Thomlinsen to fall into a coughing fit meant to direct us elsewhere.

I had the scent, though, and could make the leap myself, being no tenderfoot.

“His tongue was removed?” I said, awe quieting my voice to a whisper.

“What would be the use of that?” Sall Bertram said back, which I took to be confirmation, and when California Jim made to drink openly from his bottle, the former sheriff stopped him. The message he intended was subtle, but loud enough in this newly spawned quiet. Though I had previously, momentarily, been one of them in the brotherhood of spirits, and of flaunting it in the light of day, now, at this juncture, I was alone again, no longer a drinking companion, never mind that the long pull I had elected to imbibe was still a warmth roiling in my chest, and coursing through my thoughts, making me consider the sacraments of the Eucharist I have unmonitored access to.

“Gentlemen,” I said to them with as much thankfulness and respect and lack of challenge as I could, and proceeded on my way, pretending for their sake that I had only stopped at the lodging house by happenstance, to pay my toll, and was now continuing on to my original destination of the post office, as if I had anyone in the world who might want to send me a letter.

I’m starting my transcription here, pretty much, as this seems to be when things get interesting. I’m trying to solve a mystery, I mean: What happened to Arthur Beaucarne in 1912? I’ve struggled an entry ahead of the transcription above, so I know he had, or planned to have, a series of fantastical conversations with an Indian man known in Montana in the late nineteenth century as “The Fullblood,” but I don’t know yet if this is causation or merely correlation.

And, yes, tenure and promotion committee, I know that this is more a project for a history professor, or someone from Ethnic Studies, American Studies, maybe Philosophy and Religious Studies, even the English Department, but... are any of the scholars from those programs related to the subject? That’s my hook, I’m fairly certain. That’s the thing that’s going to get this junior professor a book under contract, and position her on campus for a long and comfortable career.

Like my dad, yes.

Like him, too, I wore a mask and gloves and booties for my work, at least the first time, sitting on my couch, my nose inches from the flickering screen of my laptop, Taz My Cat—full name, there—curled on the cushion over my shoulder. I was holding my breath, too—I was making a connection with someone actually in my blood. Being the lone daughter of a father with no siblings, my family tree has been more struggling vine than anything branching into a generations-wide canopy, so finding this unexpected relative has been nothing short of wondrous. In order to feel closer to Arthur Beaucarne, I even went to campus and loaded up the special-use paper from the back of the supply cabinet, printed the scanned-in images on what feels for all the world like card stock.

Those stiff pages are currently spread out across the dining room and hallway of my apartment, so I can walk along my greatest-grandfather’s last few weeks.

He was never found after his last entry, no, and I admit I’m nervous about getting that far and having to say goodbye to him, watch him recede into history.

Last night I stood on the balcony of my apartment and peered out into the glittering darkness, and I whispered his name, Arthur Beaucarne, and then I closed my eyes, imagined I was hearing the rustle of his thick black robes when he raised his head out there in the vast darkness, hearing me.

As for the ramp to get to the entries in his journal, which I probably would have already laid out were I a historian: in 1912, the Miles City Star was in its second year; Trinity Lutheran Church was in its sixth. Miles City itself had only been incorporated in 1887—two years before Montana itself became a state, and some thirty-five years after Custer County was named that, in memory of the Battle of the Little Bighorn. Though the buffalo were long gone from Eastern Montana by 1912, and from North America as a whole, the memory of them blanketing the Great Plains lived on.

It’s 2012 now, as I write this. The anniversary of my greatest-grandfather’s disappearance. I have Lutheran blood in me, surprise. I’d always thought my family must be French a few generations back, possibly some of those French who came down through Canada, to trap and trade furs, but lineage doesn’t mean much, finally, does it?

As for myself, which I should have said at the top of this document: I’m Etsy Beaucarne. Single, white, forty-two. I live on the second floor of an apartment complex where I sometimes see students from my freshman courses on the stairs, and my main source of conversation is my cat, Taz. It’s short for “Tasmanian Devil,” a cartoon character from my youth who was a force of chaos and destruction. You’d have to see the arms of my couch and the lower portions of the drapes over my sliding glass door and the apron of my bed to understand why I named him that.

I love Taz like you love an only cat, though. We’ve been through the fire of grad school together, through two live-in boyfriends, and I’ve bathed him in the kitchen sink when he comes home with his ears torn and his coat matted with blood.

But he means well. His gifts show his true heart, don’t they? The dead birds left on the kitchen floor, which he expects me to cheer for. The mice he deposits outside the bathroom door—always there, I don’t know why. Because it’s “the mouse place,” I guess. Twice, now, there have been moles, one of them still halfway alive, and suddenly wriggling in bed with me. Most recently—and most out of place—a prairie dog, this one completely alive.

Coming in from campus with that stack of printed-up journal pages—so much heavier than I anticipated—I rounded the tall rubber plant opposite the front door, deposited my shoulder bag on the couch, and stepped into the hall, which is when we saw each other, this prairie dog and I. He was a small form framed in the doorway of my bedroom, mired in shadow, but I have to suspect I was as well, my giant form blotting out the overhead light.

Slowly, this prairie dog stood up onto its hind legs and considered me, tasting my scent on the air, and then it charged down the hall in its dromedary way, its yellowy, protuberant incisors meant only for seeds and stalks, the rational part of me knew, but this wasn’t a rational moment.

I yipped, stepped neatly up onto the couch, and hugged a throw pillow to my chest, but this prairie dog never crashed out into the living room. After what felt like an hour but was probably two minutes, I gingerly stepped off the couch, still clutching that pillow, and peered down the hall.

It was empty.

“Taz?” I called.

He didn’t come, even when I broached into the kitchen, used the electric can opener on his food, a grinding sound he can’t resist.

Two hours later, he thumped onto the balcony in his usual way, as if dropped from a low-flying blimp, and pushed his head through the cat door to look around like always, as if confirming this was the right apartment.

“There you are,” I told him, and he slinked in.

He was, this time, coated in what I took to be antifreeze, about which I knew not to even ask. After he kindly left radioactive footprints on some of the journal pages, which were in their first configuration on the couch, I took him to the kitchen sink, got the good Dawn soap, and lathered him up against his will.

“I found what you left me,” I murmured to him, scrubbing his coat clean, and for a moment I didn’t want, my back straightened, because the floor had creaked behind me, exactly as if Arthur Beaucarne had heard me just thank him for what he left me—his journal—and had decided to step out of the ether, start mumbling a prayer in some dead tongue.

I didn’t look around, though. You can’t look around, every time you think you’re not alone.

Once you start, you never stop.

Instead I’m just going to huddle here over my laptop, burn my eyes out trying to make sense of hundred-year-old script so light it’s hardly there, and type it in after this the best I can, for however long it takes.

Here goes.

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